A theatre of forms emerges.

Each piece emerges not merely as furniture but as a figure, part object, part character, shaped by the language of myth, performance, and art.

Drawing from Depero’s Futurist stage, Taeuber Arp’s puppets, Lam’s masks, and ancient Greek archetypes, these works channel narratives that transcend time and culture.

Geometry breathes, masks observe, patterns turn into skin.

Together they form a silent procession where furniture becomes sculpture and sculpture becomes presence, a living stage that endures beyond function.